More broadly, Azuma argues that the consumption behavior of otaku is representative of the postmodern consumption of culture in general, which sacrifices the search for greater significance to almost animalistic instant gratification. isekai quartet konosuba magical shopping arcade abenobashi slayers. This is the point at which we say we’ll give you some anime to watch in the meantime but a lot of people have already gone there. He traces otaku’s ascendancy to the distorted conditions created in Japan by the country’s phenomenal postwar modernization, its inability to come to terms with its defeat in the Second World War, and America’s subsequent cultural invasion. Tell Us Your Favorite Witcher Character and We’ll Suggest an Anime.
and Manga Fandom as Networked Culture, Fandom Unbound: Otaku Culture in a. For Azuma, one of Japan’s leading public intellectuals, otaku culture mirrors the transformations of postwar Japanese society and the nature of human behavior in the postmodern era. American Anime and Manga Fan Community and the Orientalism of its Conception. Hiroki Azuma’s Otaku offers a critical, philosophical, and historical inquiry into the characteristics and consequences of this consumer subculture. Japan in 1970s and 1980s saw the rapid growth of both the manga and anime art formsmanga referring to Japanese comics, and anime to the animated equivalentand the rise of a devoted following. Today otaku have had a huge impact on popular culture not only in Japan but also throughout Asia, Europe, and the United States. Otaku is a Japanese slang word roughly meaning geek or nerd, and though it has been imported into English-speaking cultures, it still maintains these Japanese connections. When the underground otaku subculture first emerged in the 1970s, participants were looked down on by mainstream Japanese society as strange, antisocial loners. In Japan, obsessive adult fans and collectors of manga and anime are known as otaku.
0 kommentar(er)
